c/- Rayfield Allied Artist Management
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"He knows how with brains, voice and natural instinct to bring a number, and a character, to life"
 
"his top is beautifully liquid and free: a remarkable talent"
 
OPERA Magazine


"Adrian Dwyer tackled the stratospheric tenor role - a veritable Matterhorn in itself - with heroic stamina"

The Times



 The exceptional talents of the tenor Adrian Dwyer have been acclaimed across the globe. He has garnered great praise for his "gorgeously honey-toned" and "thrilling" voice and moving portrayals in a repertoire spanning Mozart and the Bel Canto through to Wagner and Contemporary Opera.

Born in Melbourne, Australia, Adrian distinguished himself as a prizewinner in all of the major Australian Singing Competitions. He was then offered a full scholarship to the Guildhall School of Music and Drama, London. He completed his studies at the National Opera Studio with the support of the Friends of Covent Garden. He currently studies with Julian Gavin.

Adrian made his professional debut during 2004 as Rodolfo in Baz Luhrmann's production of La Boheme at the Ahmanson Theatre, Los Angeles, subsequently winning a Los Angeles Stage Alliance Ovation Award for Outstanding Performance. Other career highlights have included Arturo Lucia di Lammermoor, SS Officer The Passenger and Gralsritter Parsifal (English National Opera), Miroslav/Harpist Excursions of Mr Broucek, Cerevin/Young Prisoner House of the Dead and Robert Skin Deep (Opera North), Sam Street Scene (Opera de ToulonThe Young Vic), Almaviva Barbiere di Siviglia and Macduff Macbeth (Scottish Opera), Rodolfo (Royal Albert HallCape Town Opera), Roderigo Otello (Birmingham Opera), Tamino Die Zauberflote (Opera Theatre Company), Perez Koanga (Sadler's Wells). He gained huge critical praise as Edgar in the world premiere of Alexander Goehr's Promised End in the Linbury Theatre at the Royal Opera House, Covent Garden.

In his native Australia he has performed as Alfredo La Traviata and Almaviva Barbiere di Siviglia (Opera Queensland), Ismaele Nabucco (State Opera of South Australia), as well as with the Symphony Orchestras of Melbourne (Steuermann Der Fliegende Hollander), Adelaide, Queensland and the State Orchestra of Victoria

He has also sung at many major European festivals, including Aldeburgh (Lenski Eugene Onegin), Buxton (Paisiello's Barbiere, Street Scene), Grange Park (Tamino Die Zauberflote, Leicester Maria Stuarda), Garsington (Vakula Cherevichki), Opera Holland Park (Hagenbach La Wally, Don Ottavio Don Giovanni), and in France at Belle Ile (Don Ottavio), Les Azuriales (Fenton Falstaff - Diva Opera) and in Portugal at Ponte de Lima (Lenski).
  
On the concert platform he has performed with the Orchestre de Paris at the Opera Comique, The Bayerische Rundfunk Orchester at the Prinzregententheater (Munich), Orchestra Leonard da Vinci/Opera de Rouen, the Royal Scottish National Orchestra at the Edinburgh Festival, the Philharmonia Orchestra, the Oxford Philomusica, The English Chamber Orchestra, The Royal Philharmonic Orchestra at the Royal Albert Hall, The Royal Liverpool Philharmonic, Manchester Camerata, The English Festival Orchestra, and The Britten-Pears Orchestra, under eminent conductors such as Christoph Eschenbach, Richard Bonynge, Sir Richard Armstrong, Sir David Willcocks, Jane Glover, David Stern, David Parry, Nicholas Braithwaite, Ulf Schirmer, Elgar Howarth, Marc Soustrot, Paul Daniel, Mark Wigglesworth, Oleg Caetani, Marios Papadoulis, Martin Andre, Robin Stapleton, Francisco Bonnins and Anthony Inglis.

His recordings include Cherevichki with the Royal Philharmonic Orchestra and Gardiner in Trouble in Tahiti with the Bayerische Rundfunk Orchester.

Future engagements include return appearances with English National Opera, Opera North, the Edinburgh International Festival and the Bayerische Rundfunk Orchester, Munich.